Tag Archives: 1960s

The Wanting Seed, by Anthony Burgess (1962)

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In a vastly overpopulated future, London’s Ministry of Infertility coerces the populace to either stop having children or take up with your own sex.  Though the concept has tremendous potential, Burgess seems more interested in his theories of overpopulation and cycles of government than in the plot, which merely serves as a vehicle for his ideas—as thought-provoking as they are, the book itself is a bit of a slog.  Its 1960s treatment of homosexuality is also downright insulting today, combined with a few cringeworthy thoughts on race.  Better to read A Clockwork Orange and leave this one buried.

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As I Knew Him: My Dad, Rod Sterling, by Anne Sterling (2013)

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Anne Sterling’s memoir/biography of her father, Twilight Zone host, creator, and writer Rod Sterling, does twofold duty: on the one hand, Anne shows her father the writer, social activist, and continual innovator, while on the other she shows his decidedly human, funny, fatherly side through anecdotes and the many jokes they shared.  While I found myself most interested in Sterling’s early struggles to earn money for his writing and wrest creative control from the TV censors (and wish there was more to this section), Anne’s difficulties after her father’s untimely death also form a solid, more personal story arc.

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Stiff Upper Lip, Jeeves, by P.G. Wodehouse (1963)

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No one understood social class like the 20th century British writers, and P.G. Wodehouse’s fiction feels more insightful than ever in the post-Occupy age.  Wodehouse wrote some 45 novels and stories about inept young millionaire Bertie Wooster, who’s constantly being bailed out of trouble by his astute butler Jeeves.  This book’s simple (albeit labyrinthine) plot consists mostly of comical misunderstandings, cowardly dives behind sofas, and threats that poor Bertie might actually have to get married, told through Wodehouse’s laugh-out-loud funny prose.  As such, the novel can be forgiven for its hackneyed setups, since the end result is pure fun.

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Lichtenstein, by Janis Hendrickson (1988, 2012)

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This picture-filled guide to Roy Lichtenstein’s career covers both his paintings of starry-eyed comic-book heroines (an example of which graces the cover), his images of everyday objects like washing machines and golf balls, and his later, more abstract paintings.  There’s also a close technical and thematic look at the Benday dots used in so many of his works.  Though I was most interested in Lichtenstein’s Pop Art images, the book covers much more, though the latter half goes into more depth than I was looking for.  Still, a solid introduction to Lichtenstein’s life and work with cool pictures.

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Where I Got It

At a bookstore in the Germantown section of Columbus, Ohio in summer 2015.  I’d been interested in Lichtenstein’s Pop Art works for a while (one of my teachers had a large “I’d Rather Sink Than Call Brad For Help” print on his office door in college, below), and buying this book was my reminder to actually learn more about him.

 

 

The Medium is the Massage, by Marshall McLuhan and Quentin Fiore (1967)

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Marshall McLuhan is the guy Woody Allen pulls from offscreen to prove his point to the pretentious academic in Annie Hall.  His work in the 1960s tackles the power of media and its ability to deliver information in different forms; this book is a short, coherent explanation of how media affects us, assembled by graphic designer Quentin Fiore with black and white photos to enhance McLuhan’s points.  There are comics, two-page spreads, ‘60s pop culture, and a page printed in backwards text to keep things interesting, pushing the limits of what the printed form can do.  Very cool.

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Where I Got It

Found in a free box outside my apartment building with a bunch of other textbooks and books on programming, sometime in the fall of 2015.  This was the only one that looked interesting.

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Official site

Changing Places: A Tale of Two Campuses, by David Lodge (1975)

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Two English professors, one American and one British, join their universities’ annual exchange program to escape disconcerting ruts in their respective countries.  Lodge’s west-coast America is torn amidst the uproar of 1960s counterculture, while his small-town industrial Britain is chilly, polite, and exaggeratedly tame.  By showing each world from the other country’s POV, Lodge creates a witty and poignant commentary on academic and social life on two continents.  The novel itself also takes different forms in each of its six sections (letters, a screenplay, etc.), a cool twist on the relationship between fiction and reality.

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Where I Got It

Bought from a used bookstore in Columbus, Ohio this past summer.  I’d been meaning to read this book for literally ten years, after a former coworker recommended David Lodge to me in 2006.  WHY OH WHY DIDN’T I LISTEN TO HIM SOONER? I enjoyed this book too damned much to have gone without it for so long.

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2015 Review in The Guardian

Rules for “Humiliation,” a reading game Lodge invented for the novel

Conversations with Kingsley Amis, by Thomas DePietro (2009)

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DePietro’s collection covers forty years of interviews with British novelist and man of letters Kingsley Amis, who has a lot to say on the writing process, British politics, and the working-class hero in post-WWII fiction as he moves from card-carrying Communist party member to hardcore Thatcher supporter over the course of forty years.  The collection also serves as a useful, expedited autobiography of Amis’s life (with his philandering only alluded to), but can be repetitive since Amis retells the same anecdotes over and over—how many times can we hear him deny being one of the Angry Young Men?

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3-kafkas

Where I Got It

Bought online a few weeks ago as part of research for the new novel.

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1975 Interview with Amis for the Paris Review

Or, check out Amis’s first and most famous novel Lucky Jim instead

 

The Unbearable Lightness of Being, by Milan Kundera (1984)

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Kundera’s prose is just plain beautiful: lyrical, thought-provoking, and melodic, divided into short, powerful scenes that make for lots of page-turning, so an extra kudos to translator Michael Henry Heim for capturing the power of the original Czech.  The plot involves a man who cheats constantly on his wife, but the plot comes second to Kundera’s other subjects: love, the 1968 Prague Spring/Communist invasion by Russia, more love, sex, communication, more sex, fate, dogs, fidelity, being an ex-pat, loyalty to one’s ideals, and old age.  A great read, though a quick warning: the philosophical reflections do get dense.

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4-kafkas

Where I Got It

Gift from a friend I visited in Columbus, Ohio who was downsizing his book collection and recommended it highly, Summer 2015.

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Milan Kundera on Wikipedia

How Important is Milan Kundera Today? (2015 article in The Guardian)