Funding Your Projects with Kickstarter: A Micro-Interview with Miranda Reeder of Harlevin Visual Novels

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Today I want to talk about Kickstarter, which I don’t have a ton of (read: any) experience with, so I turned to fellow writer, artist, and friend of But I Also Have a Day Job Miranda Reeder.  Under her online handle Min, Miranda runs Harlevin Games, a visual novel studio whose releases can be found on Steam and Itch.io.

What’s a visual novel, you ask?  Think of it like an interactive novel that you play through like a video game, where you can choose your own path through the story.  Visual novels can include images, music, and voice acting, and many allow you to customize your own characters.

Overall, they’re a cool way of taking stories to the next level in ways that traditional books and graphic novels can’t quite do, without the investment needed in a full video game experience.

Miranda and I spoke waaaaaaaaaay back in 2020 about her path to making visual novels like Arena Circus and The Pretenders Guild, but her new project is far more ambitious, involving collaborations with other artists, musicians, and voice actors.  She and her collaborators at Fablesoft Studios did a Kickstarter for their dark fairy tale game Twisted several years back, but her new project, Celestial Crowns, is an even bigger step forward.  (You can check out the trailer below!)
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The Freelance Life vs the Employee Life Part 2: The Drawbacks

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Last week I dove into the differences in mindset that separate freelance workers from regular full-time employees: things like how you view your job, how you schedule your time, and how you relate to coworkers. (If you missed that post, definitely check it out before you read this one!)

I had a lot to say (and the post title definitely grabbed people’s attention!), but I’d be remiss if I didn’t talk about the negative aspects of working for yourself as well, since it’s not all wine and roses.

Interestingly, when I talk to full-time employees about differences in our working lives, a lot of them are quick to point out the cons of self-employment, which they’ve clearly given a lot of thought to.  In some cases, though, I think they focus on the cons because they don’t know how they would handle them if they were working for themselves.

I recently heard an entrepreneur on a podcast say that even though starting a business in the internet age is easier and involves less risk than at any point in history, people still feel scared to try it.  That’s because they’re stuck in a pre-internet mindset, where working for yourself involves a lot of start-up capital and could cause you to lose everything Continue reading »

Reflections on Six Years of Blogging

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Hard to believe that I started working on the But I Also Have a Day Job blog six (!) years ago this week.  At this time in 2016 I was testing designs and playing with WordPress formatting while I drafted the very first posts on Day Job Basics, and from there, it was off to the races.

This blog represented a really big step for me: back in 2016, I’d finished grad school, was trying to sell one novel and finish another, and made a major life change by moving out of Nebraska, where I’d gone to grad school and stayed an extra year working in the Agriculture department.

I knew I had to start taking my writing more seriously and figuring out my next steps, and the But I Also Have a Day Job blog was a HUGE step in clarifying the direction I wanted to take my creative work and my life in general.  Before this blog, I didn’t have much of an online presence at all, had very little published work, and it felt like I was just barely starting out.

Fast forward to six years later, and I’m…pretty satisfied with how how far I’ve come.  I haven’t done as much as I’ve liked, but I’m overall Continue reading »

There Are Other Weird People Out There Like Me: An Interview with Krissy Diggs

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Krissy Diggs posts illustrations on Instagram, where she has a lot of followers but doesn’t make a big deal about it.  She first achieved internet fame in the late 2000s making videos as That Chick With the Goggles for what would become Channel Awesome, and briefly produced her own Youtube show, Challenge Accepted!!!  Her art has been featured in exhibitions, on concert posters, a novel cover, and a Japanese beer label, and she’s worked as a waitress, an art director for a major cellular company, and an English teacher in Kanazawa, Japan.

Krissy and I first collaborated in 2019 when she shared some of her drawings with the TRAM zine in nearby Toyama.  When pandemic restrictions eased up I took the train out to meet her in Kanazawa, where we enjoyed a lunch of hanton rice and she shared her insights on the Day Job life.

 

I. I Just Thought of It as Fun

 

But I Also Have a Day Job: So when did you join Instagram?

Krissy Diggs: I was an early adapter, so I joined when it was a new thing.  When I first started I never took it seriously as a platform to share art or anything.  I was kind of using it the way everyone else was—sharing pictures of food, etc.  I tend to have my name on all of my handles because I get in early enough.  I have that for Twitter, Instagram, and I think TikTok too.  I don’t know how to do TikTok, but I’m trying to learn. Continue reading »

Leaving the JET Program, Part 4: Why I Switched to a Shorter-Term Day Job

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At the end of July I’m finishing my Day Job teaching English in Japan with the JET Program, and the transition has given me a lot to think about.  This is the last post in my series about working on JET, what it’s brought me, how I feel about it, and where I’m headed in the future. If you missed the beginning you can get start with Part 1 here.

The cover photo shows decorations for a festival on a street in my town of Namerikawa, Toyama, sometime in the early- to mid-twentieth century.

Today I had my last day of work, and it was really sad.

There were a lot of goodbyes, a lot of farewell cards, a few presents, a last-day lunch, and one of my old supervisors even came from a different school to say goodbye and thank me for my service.  For Japanese-style goodbyes, coworkers will usually gather at the door to wave to someone as they leave for the last time, and that was really nice too.

I also gave a speech during my main school’s end-of-semester ceremony, which was really meaningful as well.  I talked about the shock of working in a Japanese elementary school for the first time, how I always Continue reading »

Sick Days Are Super-Important, and Don’t You Forget It!

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The title of this post says it all.

Last weekend I came down with a cold—not a super terrible one, but one that had me coughing with a sore throat and made my body ache for a few days.  When I realized what was wrong, I put some unnecessary projects on hold and took it easy for a few hours.  Then, when it was clear that I really feeling well, I called in to work and took a few sick days to recover.

Since I already wrote an entire post about how the national Japanese health care system makes it super-easy to go to the doctor, instead I want to emphasize that because my job as a teacher on the JET program gives me as many sick days as I need, I felt really comfortable calling in and staying home. This is because: Continue reading »

I’ve Become the Kind of Person Who Does Work in Coffee Shops and I’m OK With That

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For most of my adult life, I had a shit-ton of debt and was chronically short on money, which meant that I cut back on unnecessary purchases as much as possible.  My thought process usually went like this:

 

[At the gas station]

Do I really want that can of Sour Cream and Onion Pringles?

Nah, I’ve got snacks at home.

 

[When Making Plans]

Do I really want to see the Blade Runner Final Cut rerelease in the theater with my friends on a fun outing that may or may not include costumes and also go out for pizza at a restaurant I really like where we’ll have a great time hanging out?

Hell yes. Continue reading »

Three Submissions a Month for Twenty Years: An Interview with Melanie Faith

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Melanie Faith is a writer, editor, and teacher whose books about writing include In a Flash, Poetry Power, and Photography for Writers from Vine Leaves Press. She’s also the author of This Passing Fever from Future Cycle Press, a book of poetry set during the 1918 influenza epidemic; and Her Humble Admirer, a pseudonymous regency romance novel.  Her short fiction, poetry, and nonfiction have appeared in over 250 publications, and she teaches online for Southern New Hampshire University and the WOW! Women on Writing program.  On top of all that, she’s a photographer whose work I’ve scattered throughout this interview.

Melanie’s also the developmental editor of my upcoming novel, MFA Thesis Novel, and after a few back and forth emails I realized she’d be a perfect person to interview about her creative work life…

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Should Writers Have to Pay to Submit Their Work?

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In my post a few weeks ago about getting my novel accepted for publication by a small press I briefly mentioned a topic that really merits more discussion: Submitting my novel to publishers cost me some actual folding money.

Said folding money came in the form of submission fees to some of the 22 small indie presses I applied to over a 10-month period.

The submission and payment process for indie presses works a bit differently than it does if you’re going for a contract with one of the Big 5 Publishers.  To get that kind of contract, you first have to send your novel to a literary agent, which is always free.  Literary agents get paid by charging commission fees off advances and royalties—in short, they only get paid when your novel sells, and any agent who charges upfront reading fees is almost certainly running some kind of scam.

This is because the Association of Authors’ Representatives (AAR) specifically prohibits its member agents from charging writers to read their work.  This is an amazing protection for writers that Continue reading »

Support Creators and Small Businesses You Care About During the COVID-19 Crisis

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I live in rural Toyama, Japan, where as of this writing there still haven’t been any confirmed cases of Coronavirus.  All the stores, restaurants, and other businesses are open as usual, with the exception of special events and large gatherings.  The rest of the world, though, doesn’t have it so lucky.

Back in the States, as I’m sure you’re aware, a lot of stuff is closed, and is expected to stay closed for a while.  And while the government’s approved a $2.2 trillion dollar economic package to help out just about every sector of the economy, a fair amount of that money is actually going to huge multibillion dollar corporations.  Even with the extra help, small businesses and independent contractors are still going to have a rough time.

The Great Recession that happened after 2008 was a rough time for a lot of people, including me—I needed a full-time job when I got back from Japan and had a lot of trouble finding one.  Then, when I finally got one, the pay was pretty mediocre, and it was hard for me to Continue reading »

Don’t Try to Hide Your Economic Privilege

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I’ve been thinking a lot about this article in The Guardian I read a few days ago, where novelist Lynn Steger Strong talks about the financial difficulties of making it as a writer.  We all know that paying your bills through any kind of creative work is a daunting challenge, but Strong’s article shines some light on whether we talk about our financial situations honestly, or with a lot of smoke and mirrors.

Quick note—this post will probably make a lot more sense if you read Strong’s article first.  If you’re in a hurry or otherwise don’t want to, though, no sweat—you should still be able to get something out of this post! Continue reading »

Every Job is a Real Job as Long as It Pays Real Money

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I hate it when people use the term “real job” to describe a certain type of employment.  Like, what do people even mean when they say this?  If some jobs are “real jobs,” are the rest of the jobs out there “fake jobs?”  How about “unreal jobs?”  “Pretend jobs?”

I’ve sometimes asked people to describe what they meant by “real job” and each time, without exception, the person found themselves at a loss for words.  Being full-time seemed to have something to do with it, but not all full-time jobs were “real jobs.”  Paying out a lot of money also seemed to make certain kinds of jobs “real,” but that wasn’t the whole story.  Was a “real job” one where you took your responsibilities seriously?  Not really, since I know a lot of people who don’t take their so-called “real jobs” seriously at all.  Or was it a job that leads to a bigger career?  That description falls short too, Continue reading »