Tag Archives: Books About Writing

The Possessed, by Elif Batuman (2010)

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Elif Batuman is a grad student in Russian literature, and these essays are about her adventures.  Aside from some dense portions related to the actual Russian literature, this book moves, due in no small part to Batuman’s dry, quick-witted humor that pokes fun at everyone from the Uzbek landlord who feeds her from an ant-covered jam jar to the elderly professor who literally shits his pants.  The real gems, however, are Batuman’s introduction on why she avoided creative writing (reminiscent of her essay “Get a Real Degree”) and her reflections on grad student obsessions—both pointed commentaries on academia.

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What I Talk About When I Talk About Running, by Haruki Murakami (2008)

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Every day, Japanese author Haruki Murakami writes and runs, each on a set schedule with set goals.  Most of this essay collection is ostensibly about running, but when Murakami talks about the discipline involved with marathon training he’s also talking about the discipline involved with writing, so that reading about his stretches and his Hokkaido ultramarathon provides insight into a disciplined creative mind.  He also recounts his transition from jazz club-owning twentysomething to focused writer, and the entire book forms a quiet, unpretentious reflection on what it means to pursue a skill—even if you don’t like sports.

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As I Knew Him: My Dad, Rod Sterling, by Anne Sterling (2013)

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Anne Sterling’s memoir/biography of her father, Twilight Zone host, creator, and writer Rod Sterling, does twofold duty: on the one hand, Anne shows her father the writer, social activist, and continual innovator, while on the other she shows his decidedly human, funny, fatherly side through anecdotes and the many jokes they shared.  While I found myself most interested in Sterling’s early struggles to earn money for his writing and wrest creative control from the TV censors (and wish there was more to this section), Anne’s difficulties after her father’s untimely death also form a solid, more personal story arc.

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Sputnik Sweetheart, by Haruki Murakami (2001)

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An aloof college student falls in love with his best friend, a wannabe writer beatnik—the only catch is that she’s also in love with a businesswoman seventeen years older than her.  Sumire’s an outgoing, speaks-her-mind girl in classic Murakami fashion (she reminded me of Midori in Norwegian Wood) who gives life to much of the novel, which Murakami tells in short spurts between section breaks.  While a lot of Murakami’s subject matter feels familiar, the story’s compactness keeps it moving, with the ending evoking an uncertain stillness that makes the whole novel seem more whole.

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Shakespeare Wrote For Money, by Nick Hornby (2008)

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I love Nick Hornby’s Stuff I’ve Been Reading column (which he’s written on and off for The Believer since the 2000s, and perhaps will again when the magazine finally makes its return??) because he talks about books like a real person, avoids pretentious review-speak, and jokes about how Americans don’t understand British football.  Though this review collection’s in the same vein as his others, I missed the more stylized jacket flaps and the book excerpts that came with the first two collections, which made finding new books for my own towering To-Read stack that much easier.

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Atonement, by Ian McEwan (2001)

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In 1935 Britain, a thirteen-year-old girl’s overactive imagination and accidental brush with the c-word lead her to send an innocent man to prison for a sex crime.  While the first half covers the misunderstanding, the second deals with the grim early days of World War II, both on the French front and in the hospitals.  Everything about this book feels like it shouldn’t work (historical fiction, child narrator, loaded politics) but it does, which speaks to McEwan’s skill as a storyteller.  Though the prose is often slow, there are enough hard-hitting dramatic moments to make this an intense read.

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Where I Got It

From a friend who was getting rid of books in the summer of 2015. I have mixed feelings about movie cover tie-ins, but this one pulls it off quite well.

Updike, by Adam Begley (2014)

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Begley’s biography of writer John Updike exhaustively covers its hero’s rural Pennsylvania childhood, his stint as a twentysomething New Yorker writer, his years in suburban Massachusetts, his elderly descent into isolation, and his many, many novels.  Though Updike’s serial adultery plays a key role, Begley keeps the details vague for privacy reasons—unfortunate, since it often feels like there’s more we’re not getting as Begley instead summarizes the autobiographical facets of Updike’s vast oeuvre.  The result reads more like literary criticism than biography, but still decently flushes out one of America’s most prolific 20th century writers.

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Where I Got It

Ordered online in Fall 2016.

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Longer review

If you haven’t already, you should probably read Rabbit, Run instead, because it’s excellent.

1Q84, by Haruki Murakami (2011)

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A man and a woman in different parts of Tokyo find themselves drawn into the bizarre world of 1Q84 (kyū is Japanese for nine) where everything looks the same but a sinister religious cult is wreaking havoc.  I enjoyed parts of this book immensely, but others dragged on through its 1,100 pages, and a lot of the slower portions could have been trimmed.  The novel explores the idea of parallel worlds in classic Murakami fashion, and though the ending makes the whole read worth it, I recommend starting with something lighter for your first Murakami experience.

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Where I Got It

Christmas, 2015.

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Haruki Murakami’s website

Murakami Interview about 1Q84, his early life, and running every day

Conversations with Kingsley Amis, by Thomas DePietro (2009)

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DePietro’s collection covers forty years of interviews with British novelist and man of letters Kingsley Amis, who has a lot to say on the writing process, British politics, and the working-class hero in post-WWII fiction as he moves from card-carrying Communist party member to hardcore Thatcher supporter over the course of forty years.  The collection also serves as a useful, expedited autobiography of Amis’s life (with his philandering only alluded to), but can be repetitive since Amis retells the same anecdotes over and over—how many times can we hear him deny being one of the Angry Young Men?

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3-kafkas

Where I Got It

Bought online a few weeks ago as part of research for the new novel.

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1975 Interview with Amis for the Paris Review

Or, check out Amis’s first and most famous novel Lucky Jim instead

 

The Unabridged Journals of Sylvia Plath, ed. by Karen V. Kukil (2000)

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I like books where writers talk insightfully about writing, and I also like books about young people finding their way—Sylvia Plath’s journals have both.  She worries about the same things writers today do: getting published, getting rejected, making money as a writer, never recapturing her earlier success, and whether teaching is killing her creative drive, though she also worries a lot about dating and relationships (including whether 1950s gender roles will smother her creativity).  The only problem is that finding these insights requires sifting through 500+ pages of journals and a lengthy Appendix.  I recommend judicial skimming.

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3-kafkas

Where I Got It

Found in my office in grad school, left by previous inhabitant.

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Sylvia Plath on Wikipedia

List of Quotes (for the skimmers)

Interview with Karen V. Kukil

Housekeeping vs. The Dirt, by Nick Hornby (2006)

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Nick Hornby writes with down-to-earth honesty, and this second collection of Stuff I’ve Been Reading essays (which partially inspired this book blog) for The Believer is no exception. Its most poignant moment comes in the preface, where he encourages people to actually read books they enjoy and to not read certain books just because they seem important: “Please, if you’re reading a book that’s killing you, put it down and read something else, just as you would reach for the remote if you weren’t enjoying a TV program.”  Books should be fun, so let’s keep them that way.

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4-kafkas

Where I Got It

Christmas gift, 2014, along with Nick Hornby’s two other collections of book essays (one of which still remains in the stack…).

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Housekeeping vs. The Dirt at McSweeney’s

Nick Hornby’s Website