Tag Archives: There’s Also a Movie

The Heart is a Lonely Hunter, by Carson McCullers (1940)

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Four lonely people in a Southern town search for meaning outside of life’s banalities, brought together by a deaf-mute who’s mourning the loss of his closest friend.  Parts of this book resonated with me strongly as the characters express their inability to fit into the world around them, especially Mick’s analogy of the outside room where she performs for society versus the inside room where she enjoys her secret love of music.  The rest of it, however, moves painfully slowly, with long chapters and dialogue that hasn’t aged well, leaving its raw power to be deciphered rather than enjoyed.

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The Remains of the Day, by Kazuo Ishiguro (1988)

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An aging butler in 1950s Britain goes on a road trip and reflects on the glory days of the British aristocracy that turn out to be not so glorious.  This novel works so incredibly because of its narrator, who speaks in a voice that’s both dignified and easy to read, reeking of unreliability and dry humor as he encounters the common folk.  Greater stakes, however, lie in its backstory of what democracy really means and how an entire working class could trade their independence for service to the upper classes—who are prone to more than a few shortcomings.

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Election, by Tom Perrotta (1998)

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A high school presidential election pits a goody two-shoes overachiever against a clueless jock and his rebellious younger sister, with one teacher viewing the race as a microcosm of who gets ahead in life and why.  Election shows how much these contests seem to matter in the moment but afterwards feel trite—it explores rivalries based on jealousy, social class, love, popularity, and the glory of the spotlight.  The novel’s rapid switches between narrators (often in mid-scene) are among the most effective I’ve ever read, and keep the novel constantly moving.  Read this even if you’ve seen the movie.

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Sinbad’s Seven Voyages and Other Stories From the Arabian Nights, retold by Gladys Davidson (1974)

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Things I learned from reading/rereading these four stories:

  1. In the original tale, Aladdin, far from being a purehearted street rat, is an “idle, careless” boy who through the adventure of the lamp becomes a responsible, skilled adult man.
  2. The forty thieves dismember Ali Baba’s greedy brother into four separate pieces so that the local cobbler has to sew him back together, which is badass.
  3. The Sinbad stories are kind of repetitive, and made me want to watch the Ray Harryhausen films.
  4. Like in all good stories, servant girls are always more clever than their masters.
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The Flowers of Evil (Vol. 1-11), by Shuzo Oshimi (2012-2014)

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Kasuga, a shy middle-schooler obsessed with Baudelaire, impulsively steals his crush’s gym clothes only to be spotted by the class outcast and labeled a pervert, but is he really a pervert, or just looking to form a normal relationship?  Powerful stories never fail to make you care about their characters, and Oshimi pulls this off incredibly—his explorations of courtship, friendship, surviving adolescence, and fitting in capture his characters at their most vulnerable.  The series’ driving question is whether Kasuga will cave in to the adult world like a shitbug or find his own path—whatever that might mean.

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The Lion, the Witch and the Wardrobe, by C.S. Lewis (1950)

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Do children’s classics still hold up when read by adults?  I never read the Narnia books when I was younger, but I did read The Screwtape Letters a few years ago and liked its sinister plot and epistolary storytelling.  Similarly, this book’s heavy Christian undertones fall just short of eye-rolling at times, though the themes of temptation, redemption, and righteousness enhance the plot so effectively that without them the book would have been forgotten as just another kid’s adventure.  A final plus is that the fantasy world feels real enough to immerse readers but not enough to overwhelm them.

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Atonement, by Ian McEwan (2001)

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In 1935 Britain, a thirteen-year-old girl’s overactive imagination and accidental brush with the c-word lead her to send an innocent man to prison for a sex crime.  While the first half covers the misunderstanding, the second deals with the grim early days of World War II, both on the French front and in the hospitals.  Everything about this book feels like it shouldn’t work (historical fiction, child narrator, loaded politics) but it does, which speaks to McEwan’s skill as a storyteller.  Though the prose is often slow, there are enough hard-hitting dramatic moments to make this an intense read.

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Where I Got It

From a friend who was getting rid of books in the summer of 2015. I have mixed feelings about movie cover tie-ins, but this one pulls it off quite well.

The Life and Opinions of Tristram Shandy, Gentleman, by Laurence Sterne (1767)

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The whimsical freedom of the seventeenth century led to some of the most innovative fiction ever conceived, and Tristram Shandy is no exception.  Its narrator sets out to tell his life story but goes off on so many tangents that it takes him two hundred pages to get to his birth.  The book itself is chaotically filled with blank pages, scrawled lines, musical scores, skipped chapters, and entire sections written in Latin, plus a whole load of sex jokes for careful readers.  The innovations are fun, but the archaic prose makes for a challenging 650-page slog.

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3-kafkas

Where I Got It

An old Modern Library edition picked up from the English department free table, sometime in fall 2014.

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Full text at Project Gutenberg

Quick and Easy Guide to Reading Tristram Shandy (I really wish the person who made this site had kept it up, since it promised to be both funny and down-to-earth about a really difficult novel, and also because it compared Tristram Shandy to a Choose-Your-Own-Adventure book)

Friday Night Lights, by H.G. Bissinger (1990)

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I have zero interest in football, but I enjoyed Bissinger’s book because it’s mostly about the all-encompassing influence that football holds over midwestern culture.  Bissinger spent a year in the west Texas town of Odessa following its high school football team to the state championship, and shows how completely football trumps academics and leads the town to build a $5.6 million stadium for its high school.  He also discusses how racial tensions and Reagan-era politics affected the region—history seen from ground level.

There’s a lot of football play-by-plays too, but I kind of skimmed over those.

Rating:

4-kafkas

Where I Got It

Bought online a few weeks ago, part of the research process for my new novel.

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Bissinger reflects on Friday Night Lights 25 years later (Sports Illustrated)

Interview with Bissinger on the book’s 25th anniversary (NPR)

Mrs. Dalloway, by Virginia Woolf (1925)

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I found Mrs. Dalloway more accessible than other Virginia Woolf novels I’ve read, possibly because it’s also shorter.  The stream-of-consciousness novel shows a day in the life of a fiftysomething socialite reflecting on the mundanity of her married life, the passionate love of her youth, and her deeply hidden feelings for a female friend.  My favorite scenes, though, were the surreal and hard-hitting takes on WWI shell shock in the hallucinatory ramblings of ex-soldier Septimus Warren Smith.

There’s a lot to like here, but it’s still high modernism and can get…dense.

Rating:

4-kafkas

Where I Got It

From a grad school friend who had two copies, Summer 2015.

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Virginia Woolf on Wikipedia
Virginia Woolf Was More Than Just a Women’s Writer (essay)

Less Than Zero, by Bret Easton Ellis (1985)

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Bret Easton Ellis’s first novel feels like a 1980s version of The Sun Also Rises with heroin, male prostitution, and at least one snuff film, which was probably the same level of scandal as when Hemingway’s characters got drunk and had premarital sex in 1926. The whole novel evokes a quiet, disconcerting loathing for the fast-paced, aimless LA lifestyle of its post-high school characters, with subdued yet depressing descriptions of everything from desert scenery to shooting up heroin. It’s also a fast read that leaves you with a distinctly unsettled feeling, but in a good way.

Rating:
4-kafkas
Where I Got It

Ordered online in Summer 2015 after having this on my informal To-Read list since college.

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Wikipedia page