Another children’s classic I never actually read as a kid, the original Peter Pan holds up solidly in its story, characters, and playful writing style, but not in its cringeworthy turn-of-the-century descriptions of Native Americans. Barrie also inserts some distinct undertones for careful readers, such as the rivalry between Wendy and Tinkerbell for the clueless pre-pubescent Peter, the Darling parents’ obsession with doing everything society expects of them, and Hook’s being a former prep school kid, along with an epilogue (left out of the Disney version) that explores what it really means to outgrow the carefree adventures of youth.
Author: Ian
Reflections on a Year of Blogging
Today’s a big day.
It’s been just over a year since I posted the very first entry to this blog and began a long journey into what it means to be a creative worker. It’s also been a year and change since I started setting up the site design, and thirteen months since I bit the bullet and bought the domain, which happened the same week I made an even bigger life change Continue reading
Last Words, by George Carlin (with Tony Hendra, 2009)
Carlin’s posthumous memoir (based on a decade of conversations with co-author Hendra) covers his New York childhood, his humdrum ‘60s comedy, his departure into gritty realism (“Seven Words You Can Never Say on TV”), his cocaine addiction, and finally his move toward satirizing politics and society. This was my first real foray into Carlin’s work, and it proved a solid start—many of his most famous pieces are transcribed with commentary, and his biting, thoughtful voice is always present. I was most drawn to his reflections about leaving the mainstream to find his real voice—undoubtedly the strongest section.
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You Have to Find the Value in Your Work
I think a lot about where confidence comes from, and why sometimes I’m absolutely full of confidence about the work I’m doing (creative work, Day Job work, and everything else) while other times everything I’m working toward feels meaningless.
It’s amazing how quickly these two mindsets can switch back and forth in the same week, or even the same day, even when nothing’s really changed. I’m still the same person, I still have the same job, I’m still working on the same novel, and I’m still trying to get my writing out there in the same ways. Big successes usually deliver equally large boosts of confidence, while rejections usually set me back more than I care to admit. But most of the time, though, there’s Continue reading
The Heart is a Lonely Hunter, by Carson McCullers (1940)
Four lonely people in a Southern town search for meaning outside of life’s banalities, brought together by a deaf-mute who’s mourning the loss of his closest friend. Parts of this book resonated with me strongly as the characters express their inability to fit into the world around them, especially Mick’s analogy of the outside room where she performs for society versus the inside room where she enjoys her secret love of music. The rest of it, however, moves painfully slowly, with long chapters and dialogue that hasn’t aged well, leaving its raw power to be deciphered rather than enjoyed.
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Guest Post – Writing While Parenting
Charles Hiebner has worked as a pig farmer, a long-haul truck driver, and a warehouse manager for a roofing supply company. The two of us met in grad school where we took a few writing classes together and shared a cubicle wall as interns at the university press. His writing projects have included a page-turning crime novel and a thesis about ecoconsciousness and colonial identity on the Great Plains—both at the same time. His next project is to set up a blog to share his work with the world…maybe sometime before his youngest leaves for college.
I’m a writer with a day job, one that I actually enjoy a great deal. Don’t get me wrong, I’d love to earn my bread with writing, but until that time I have bills to pay. There are other parts of my life that pull me away from the writing desk, like being married. Luckily, my spouse has a day job as well, and writes, and is very patient, encouraging, and understanding of time that I request to write. So, what’s keeping me from cranking out novel after novel?
Well, there are these kids… Continue reading
My Untimely Death, by Adam Peterson (2008)
For an entire week in September I ask my wife to feed me only Swiss chard. There is a day when I eat a can of tomatoes bigger than a toddler.
This is a 43-page small press book that fits easily in a pocket—a series of prose poems about bizarre deaths. I don’t write this kind of prose myself or read it very often, but I’ve developed an odd kind of respect for it, and enjoy it in small doses that evoke an emotional response before I move on. In that sense, this little book accomplishes that nicely.
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Confession: I Haven’t Worked on My Novel in 3 Months
I’m absolutely ashamed to admit this, but it’s true.
According to my Daily Schedule Log, I last put in actual writing time on my new novel on June 1st, the day I finished editing the final chapter of Draft Three. Since I’m drafting this entry on Labor Day to schedule for next week, that means my No-Novel period’s run just over three months, and that’s a long time.
To my credit, it’s definitely been a busy three months since I started my new Office Day Job. This is partly because I’ve actually been working more hours and was dealing with a nasty commute for the first few weeks, but also because of the general life upheaval that came with the new job throwing off my old writing schedule. Having to deal with a lot of new surroundings, routines, and habits made it harder for me Continue reading
Sophisticated and Poetic Literary Novel About Old Age With No Plot (2013)
One of my favorite books of all time, Catch-22, can also be said to have no plot, but what makes Catch-22 different is that while its chapters jump erratically through time and veer off on massive tangents, the novel’s events are thematically linked by the issue of Yossarian being bullied by his superiors into fighting a war that doesn’t make sense. This novel has no such thematic link, or only vague links that did little to convince me that this novel was about anything besides character exploration and poetic-sounding prose, which, sadly, aren’t enough to make a novel work.
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Why I’m Not Interested in Early Retirement
In what little spare time I have I follow a few money and finance blogs, which has helped me develop my philosophy about how smart financial decisions can help creative people get where they need to go. I’ve found a lot of the advice from these blogs to be solidly helpful (make a budget, track your net worth, pay off debt, etc.), but there’s one thing financial bloggers are always talking about that I couldn’t be less interested in: retiring early.
Now just so we’re all on the same page, retiring in the technical sense of the word isn’t about having your hair turn white or moving into an old folks’ home. On the contrary, Continue reading
No One Belongs Here More Than You, by Miranda July (2007)
I loved this book. I loved how its stories are meaningful but also speckled with Miranda July’s dry humor (“As with the whole-grain bread, Carl did not initially leap into the idea with enthusiasm”) that stops them from ever being too pretentious. I love that these stories are about relationships that don’t always work. I love that July’s characters undergo real emotional turmoil. I love how there are things about these stories I don’t understand, and that I’m OK with that. Finally, I love that this paperback comes in five different colors and that mine happens to be orange.
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Bonus Essay: Painting’s Just My Day Job
A few months back I painted a bedroom as a present/favor to my old housemates, which brought back a lot of memories from my old Day Job as a housepainter. I like painting because it keeps me ridiculously focused while leaving my mind free to wander, and it provides a good amount of exercise without being too labor intensive. In a lot of ways it’s the ideal Day Job, and if I could find a decent painting position, I’d probably scoop it right up.
This essay I wrote for Four Ties Literary Review sums up my feelings about the relationship between work and writing pretty well, and explains why painting puts me in the ideal frame of mind to do both. The essay’s part of Four Ties’ issue about work in general, so I totally encourage you to check out the other pieces too.
Also, for those interested, I talk a little bit about the novel I’m working on, plus I reveal the identity of my old Secret Work-From-Home Day Job and talk more about how it affected me—since that kind of honesty’s important.
Anyway, I’ll stop rambling so you can check out the real essay, which you should right now.